Advertisements for language and cultural learning

Simon Gill, Olomouc University, Czech Republic

 

However well-equipped the circumstances a teacher works in may be, there is, it seems, always room for more in the way of resources. I know so many teachers who, like me, are afflicted with what can only be described as a mild form of kleptomania, and it is for them, principally, that this paper is written. In it I would like to share my enthusiasm for advertisements as a tool for language and cultural learning.

 

1. Why advertisements?

Several reasons suggest themselves:

 

1.    ubiquity  They are all around us, in newspapers and magazines, on the TV and radio, on handbills and flyers, on billboards and vehicles in the street, even, sometimes, on the clothes we wear.

 

2.    availability  It is extremely easy to get hold of advertisements in a variety of media. They can be cut out of paper publications, recorded from the media, photographed, or downloaded from the Internet, and my experience is that many firms are all too happy to send publicity materials if approached directly. It is perhaps also worth stressing at this point that I do not advocate the use only of advertisements in English. Those in both the learners’ own language and even in others may be of great value as well.

 

3.    cost   I have never paid a penny for any of the numerous advertisements I have in my possession, a claim I am unable to make for most of the other types of teaching aid I have collected down the years. Until teachers’ salaries become less niggardly, this will, unfortunately, have to remain a significant consideration.

 

4.    authenticity  Advertisements are highly authentic, in that they are something which every student, however remote their surroundings, comes into contact with on a more or less daily basis.

 

5.    variety  Advertisements come in a remarkable range of formats, media, shapes, sizes and durations, ranging from, at one end of the spectrum, home-made handbills glued to bus shelters to, at the other, ongoing global multimedia campaigns conducted by transnational corporations.

 

6.    images  Advertising budgets are often huge. Frequently, for instance, more money is available to the director of a thirty-second TV commercial than to the director of a sixty-minute programme. With resources like this, and given that the basic premise of an advertisement is to attract would-be buyers in what are often highly competitive markets, eye-catching, even startling imagery is common. This can be exploited to evoke both personal and emotional responses and, as such, can be the basis for a good deal of valuable language work.

 

7.    language  The language of advertisements exhibits a number of stylistic features which make them a rich source of texts. A full analysis lies beyond the scope of the present paper, but these features may include, inter alia: repetition of structurally similar elements; the deployment of fixed phrases and routines; idiomatic language; the deliberate breaking of rules; wordplay; the use of mixed registers and even mixed languages, and alliteration and assonance.

 

8.    length  Advertisements are often brief, seldom prolix. This brevity is a point in their favour in contrast to many other types of text, whose length may be a problem when criteria for selection for classroom use are applied.

 

9.   generativeness  With a little time and ingenuity, a great variety of classroom exercises and activities can be generated to capitalise on the potential that advertisements offer.

 

2. What can advertisements be used for?

In Gill (1999) I endeavoured to postulate a series of principles that should, in my opinion, inform and underpin intercultural learning. Briefly, and with some slight reformulation, they can be summarised as follows:

 

1.    Cultures are not monolithic.

2.    Facts alone are not enough.

3.    We have to try to objectify.

4.    We need to get away from stock images and stereotypes.

5.    The relationship between language and culture, and between language learning and cultural learning, is both intimate and crucial.

6.    It is important to compare and contrast.

7.    Individual insights and experience are important.

8.    How do the general and the specific relate to each other?

9.    An element of discovery learning is essential.

10. We need to keep in mind broader educational principles (eg notions of lifelong education, empowerment etc).

11. The European dimension is important.

 

Advertisements, in my opinion, offer an invaluable resource that can be used to help us in putting these principles into practice. By learning how to ‘unpack’ their messages, and the beliefs and values that underlie those messages, from the layers of language, image and cultural assumption they are couched in, by reflecting on those messages, beliefs and values, and by a comparative/contrastive process, learners can be provided with the opportunity to develop a whole range of cultural awareness skills.

 

3.   How can advertisements be used?

Maley (1994) suggests twelve ways in which short texts can be exploited:

 

·      expansion

·      reduction

·      media transfer

·      matching

·      selection/ranking

·      comparison/contrast

·      reconstruction

·      reformulation

·      interpretation

·      creating text

·      analysis

·      project work

 

An alternative but by no means contradictory model is the following ‘four-stage’ approach, to which I was first introduced in the 1980s (see ‘Acknowledgements’), which can be widely found in use in published materials, for example in textbooks such as the popular Headway series. The first phase, here called ‘Pre-text activities’, is chiefly aimed at setting the scene and motivating learners for what is to follow. The second, ‘Access to text’, is intended to familiarise learners with the content of the text; the third, ‘Language focus’, involves the learner in work on areas of language suggested by the text, and the final one, ‘Ideas focus’, moves on to exploit the text from the point of view of its intellectual and emotional content.

 

It should perhaps be emphasised that the expression ‘text’ here is intended to be taken in its broadest possible sense, to include not just written and spoken words, but also images of all types. Furthermore, the approach outlined here is by no means limited in its usefulness only to advertisements; literary extracts, rock songs, tourist brochures, newspaper stories, radio news broadcasts, excerpts from TV chat shows and letters to agony columns are but a few of the other text types to which it might be equally applicable.

 

Finally, I would like to point out that I do not claim the following list of possible classroom activities as either original or exhaustive.

 

Pre-text activities

Learners can be brought to a state of preparedness to deal with the text by, among others:

 

w        focussing on a parallel topic either in the ‘home’ culture (if the text under study originates in the ‘other’ culture) or vice versa

w        activating existing knowledge of and attitudes to topic through such techniques as brainstorming, reading, fieldwork, research, discussion, or Socratic questioning

w        the use of related illustrations, visuals, realia etc

w        prediction of vocabulary or content of text

w        pre-teaching vocabulary

 

 

 

Access to text

w        motivational factors are important (eg dividing text into manageable “chunks”, having a variety of activities, incorporating an element of fun)

w        it is important to deal with different types of reading/listening (eg extensive, intensive, scanning, skimming, comparative, contrastive)

w        reasons to read/listen should be provided (e.g. through the use of time limits or pre-questions)

w        different types of questions should be used (e.g. question-word, yes/no, true/false, information transfer, multiple-choice)

w        there should be at least some “open” rather than “closed” questions in order to allow for a variety of outcomes

 

Language focus

Depending on the nature of the text and the needs, interests, abilities and level of the learners, some or (unlikely) all of the following areas might suggest themselves for exploitation.

 

w        aspects of grammar (e.g. verb forms, prepositions, use of articles)

w        vocabulary work (e.g. opposites, synonyms, definitions, translation, hyponym/ headword relationship, word fields, connotations)

w        register (e.g. formal vs informal, spoken vs written, GB vs US English)

w        cohesion and text organisation

§         spelling and pronunciation

 

Ideas focus

Work on this area may take place both in the classroom and elsewhere, and may be in either oral or written format.

 

w        oral activities          - roleplay/improvisation/drama

                             - interviews

                             - discussion and debate

                             - short talks

                             - games

 

w        written activities     - parallel text writing

                             - writing letters/postcards

                             - writing a paragraph/report/composition

                             - summary/text expansion

                             - translation

- research work (e.g. fieldwork or work in the library or on the

  Internet)

                             - project work (e.g. producing a poster, video, wall magazine…)

                             - art and craft work

 

I would like to stress that the exact balance between the four elements is one that must be determined by a number of subjective considerations: the text used; the teacher’s goals in using it; the age, language level and interests of the learners; the time and resources available, and many others.

 

The list given above is, I reiterate, not claimed to be exhaustive. However, I believe that the ideas and principles it contains are highly generative and can be used to guide the production of materials for almost any teaching/learning situation. In the next section I offer some examples of classroom materials and activities based on them.

 

4.   Sample activities using advertisements

It is not my intention in this section to give detailed lesson plans based on specific examples of advertisements; I have lost count of the number of times I have read descriptions of such lesson plans and felt frustrated at my inability to use them precisely because I did not have access to the materials concerned. Therefore, I propose to furnish descriptions which are more general and, I hope, more generalisable as well.

 

a. Getting Started

Any work with advertisements is perhaps best preceded by general work on the nature of advertising, from which learners should emerge with an overview of what sort of products and services might be the subjects of advertising, what sort of generic techniques are used, which sectors of the population advertising is targeted at, and which media are used in this process. This can itself be a rich fountain of activity and research-based learning as learners collect and analyse material from their own surroundings and present it in class. It is a simple matter for teachers to prepare worksheets and tasks to guide the learners in this process. They could be guided to, for example, billboards in their town, advertising on national TV, cinema ads, radio ads, ads in the newspapers or magazines they or their friends and families read, flyers and junk mail, and so on.

 

b. Producing an advertisement

Once learners are aware of the range of possible advertisements, a simple next step is to ask them to produce their own. The teacher may choose to give them total freedom or may impose parameters. Depending on the age and level of the class, the ‘product’ that may be required of them could range from the very simple, such as an A4 mini-poster, up to something much more complex and sophisticated, for example a radio ad to be recorded, a TV advertisement to be put on videotape, or an information brochure to promote their class, their school, their town, a local restaurant etc to English speakers.

 

c. ‘Unpacking’ an advertisement

Using the four-step approach outlined above, many advertisements can be ‘milked’ for a great deal of both language and cultural work. Examples I have in my possession include:

 

¡        A TV advertisement promoting the eating of meat, in which a housewife prepares a

meatless meal for her teenage sons, who recoil in horror as it is served and chorus “What? No meat?” Possible activities: initial discussion about what the students knew about British food and how it compared to Czech (or Polish, or whatever) food, followed by; pre-questions designed to focus learners’ attention on the appearance of the house and its inhabitants and how these could be compared and contrasted with their own homes; subsequent discussion and research tasks on who does which chores in the family home or what constitutes a healthy diet, a debate on vegetarianism, and writing a recipe.

 

¡        An advertisement from a British magazine produced by The Refugee Council, with a photograph of a weeping woman and a text in which the plight of refugees in Britain is described and which concludes with an appeal for money. Speculation about where the woman might be from, what may have prompted her to become a refugee, and the sort of problems she might experience in a strange country; true/false questions about the text; discussion about what should be done to help refugees and asylum seekers; imaginative writing involving her diary during her first week in the new country or a letter to a local MP asking for help; collecting texts from either British or (in my case) Czech newspapers and researching on the Internet are just a few of the possible activities in connection with what was, at the time of writing, an extremely hot political potato in the UK.

 

¡        A magazine advertisement for Czech ‘Prazdroj’ beer at Christmas from a Czech magazine, depicting the view from a window. Outside there is a snowy landscape, a starry sky, and a typical wooden house. In the window is a bottle of beer and various symbols of a Czech Christmas – a carp, candles, nuts and an apple. There are also three lines of text. Possible activities: translating the text; collecting and presenting, either as a short talk or in the form of a poster, superstitions and beliefs associated with Christmas; investigating what people in other countries eat for Christmas via communication with pen pals in either email or snail mail form, or research in books and magazines or on the Internet; writing a recipe for a Czech Christmas dinner, or even cooking a British Christmas dinner!

 

These are, I emphasise, simply examples. However, I do hope that they illustrate the general principles as outlined above being applied to specific real advertisements both of British and Czech origin and that it is clear that they are equally applicable to the resources that are available to you as well.

 

d. Internet research

The Internet offers immense possibilities for student research projects on advertising. A few useful websites I have found are:

 

<http://www.adbusters.org/> – the homepage of a militant anti-advertising organisation, with examples of their spoof advertisements, details of their philosophy and campaigns, and more

 

<http://www.geocities.com/Heartland/Prairie/6560/old.htm> – a collection of old Coca Cola ads

 

<http://www.benetton.com> – the homepage of the Italian clothes firm famous (infamous?) for their use of controversial and at times shocking imagery to promote their products

 

<http://www.asa.org.uk/> – the UK Advertising Standards Authority, complete with their code of practice, examples of offending ads, details of the complaints against them and their responses…, and, from America,

 

<http://www.cdc.gov/tobacco/sgr4kids/sgrmenu.htm> – where the ‘Surgeon General’s Report 4 Kids About Smoking’ includes a section in which American children critique the images used by the tobacco industry and which provides a good example of how cultural and language learning can be promoted using materials available on the Net.

 

Once again, these are just examples. It is easy to use a standard search engine to find URLs for other sites connected to specific products and services, and further practical ideas and URLs can also be found in Eastment et al (2000).

 

5.     Conclusions

In this article it has only been possible to sketch out very briefly a few of the possibilities that advertisements offer the teacher. I hope I have managed, though, to communicate my fervent belief that they exhibit a number of features, as described in Section 1, that make them an extremely valuable resource for the teacher and that this resource can be drawn upon to mine a rich seam of potential both for language and cultural learning in a wide variety of teaching/learning situations. I would greatly welcome correspondence from any colleagues who share my enthusiasm for them at <mailto:pangill@hotmail.com>.

 

Acknowledgements I would like to thank Tony Wright, now of the College of St Mark and St John, Plymouth, who first introduced me to the four-phase approach to texts used here, and Michael Houten, now of the British Council in Kraków, who was involved in shaping many of the ideas in this paper during our work together in the 1990s.

 

References

§         Eastment D, D Hardisty & S Windeatt (2000) The Internet Oxford: OUP

§         Gill S (1999) “Culture in the classroom: ten modest proposals” in Network 2/1

§         Maley A (1994) Short and Sweet London: Penguin