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A Contemporary approach Three Nobel writers on landscape |
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This set of activities has been produced by a team including Tatiana Kramer, Hanna Serafinowicz, Joanna Burdzinska and Bozena Koczurek (with the help of Ewa Bandura). Landscape was not only important for Romantic poets. If we take a look at some outstanding modern examples from three Nobel prize-winning authors, we can discover that they use childhood landscapes still living in their memories to describe contemporary issues. Seamus Heaney (1995 Nobel Prize Winner), a poet of the Irish countryside, depicts images so vividly that they seem almost tangible.
From the collection Death of A Naturalist an excerpt from a poem called Digging (1966): "The cold smell of potato mould, the squelch and slap Of soggy peat, the curt cuts of an edge Through living roots awaken in my head."
We can notice a similar use of landscape in the poetry of Czesław Miłosz, (1980 Nobel Prize Winner), a poet and a novelist, essayist and translator. From the collection Rescue (Ocalenie) a fragment of a poem W mojej ojczyźnie:
"W mojej ojczyźnie, do której nie wrócę Jest takie jezioro ogromne, Chmury szerokie, rozdarte, cudowne Pamiętam, kiedy wzrok za siebie rzucę." Have a look at another interesting example from Gunter Grass, (1999 Nobel Winner). Having left the country of his childhood he returns to the familiar landscape in the opening of his most famous novel The Tin Drum. From The Tin Drum:
References:
There are three sections. See also: 1. Forster: Landscape – ‘greeting the foreigner’ 2. Wordsworth and Mickiewicz: The Countryside of the mind |
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